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FAQ category: Photography

Things go wrong, that’s life. Dropping a lens, spilling a cup of hot coffee, a slip, a trip or an unhappy client. We can never be sure what is around the corner. In most cases a comprehensive stylists insurance policy is not going to break the bank, and can save you a lot of time, stress and money in the long run if things do go pear shaped.

Plus, any stylist who takes their business seriously should have a professional stylist insurance policy. It won’t be long before a client asks to see your insurance, and you could look a little unprofessional without it.

As the appointed broker to the AOP (Association of Photographers) we know they expect all their members to have adequate insurance in place.

In our opinion as an absolute minimum studios should consider;

  • Equipment and camera insurance
  • Buildings insurance (if you own the studio outright)
  • Tenants improvements (if you lease the building, but have invested in improvements to the premises)
  • Liability (usually both public and employers’ liability). Crucial if you rent or sublet the studio. And equally important if third parties enter the studio for shoots.
  • Professional indemnity

In reality our photographic studio policies provide far more than basic insurance. They also include a number of complementary covers exclusive to Williamson Carson which are detailed on all quotes we prepare.

Let us help you get the right cover for your needs.

No, our vehicle extensions are intended to cover damage to vehicles as props whilst being work on, off road or within the confines of a studio. Any cars being driven on public roads must that car insurance, which is prescribed under the Road Traffic Road. The vehicles must show as insured on the Motor Insurance Database. The intention of our policy is to cover damage to the vehicles on set or off road (off public roads) when being used on a prop.

Ability to provide off road cover for vehicles used as props on set. Including the unique ability to add collision insurance for vehicles, and motor action vehicle insurance.

In our opinion, as a minimum stylists should consider;

  • Professional indemnity
  • Liability (usually both public and employers’ liability)
  • Equipment insurance
  • Props & Hired Insurance (if you have your own props or hire props).

Firstly, protect your cameras and equipment. In our opinion as an absolute minimum videographers should consider;

  • Equipment and camera insurance
  • Liability (usually both public and employers’ liability)
  • Professional indemnity

In reality our equipment policies provide far more than basic camera equipment insurance. They also include a number of complementary covers exclusive to Williamson Carson which are detailed on all quotes we prepare.

Let us help you get the right cover for your needs.

Firstly, protect your cameras and equipment. In our opinion as an absolute minimum photographers should consider;

  • Equipment and camera insurance
  • Liability (usually both public and employers’ liability)
  • Professional indemnity

In reality our equipment policies provide far more than basic camera equipment insurance. They also include a number of complementary covers exclusive to Williamson Carson which are detailed on all quotes we prepare.

Let us help you get the right cover for your needs.

Firstly, protect your cameras and equipment. In our opinion as an absolute minimum photographers should consider;

• Equipment and camera insurance
• Liability (usually both public and employers’ liability)
• Professional indemnity

In reality our equipment policies provide far more than basic camera equipment insurance. They also include a number of complementary covers exclusive to Williamson Carson which are detailed on all quotes we prepare.

Let us help you get the right cover for your needs.

Things go wrong, that’s life. Dropping a lens, spilling a cup of hot coffee, a slip, a trip or an unhappy client. We can never be sure what is around the corner. In most cases a comprehensive photography insurance policy is not going to break the bank, and can save you a lot of time, stress and money in the long run if things do go pear shaped.

Plus, any photographic studio who takes their business seriously should have a professional photographic studio insurance policy. It won’t be long before a client asks to see your insurance, and you could look a little unprofessional without it.

As the appointed broker to the AOP (Association of Photographers) we know they expect all their members to have adequate insurance in place.

Things go wrong, that’s life. Dropping a lens, spilling a cup of hot coffee, a slip, a trip or an unhappy client. We can never be sure what is around the corner. In most cases a comprehensive photography insurance policy is not going to break the bank, and can save you a lot of time, stress and money in the long run if things do go pear shaped.

Plus, any photographer who takes their business seriously should have a professional photography insurance policy. It won’t be long before a client asks to see your insurance, and you could look a little unprofessional without it.

As the appointed broker to the AOP (Association of Photographers) we know they expect all their members to have adequate insurance in place.

See Our FAQs Page